| Experts claim that it's Dalí's 'more mature output", created in his Surrealist and Nuclear Mystical periods, that had a major influence on a global art. These eras are represented in the exhibition by the paintings such as The Invisible Man (1929-32), The Sense of Speed (1931), Millet's Architectonic "Angelus" (1933), Enigmatic Elements in a Landscape (1934), Soft Self Portrait with Grilled Bacon (1941), Uranium and Atomica Melancholica Idyll (1945), Dematerialization under the Nose of Nero (1947), Maximum Speed of Raphael's Madonna (1954) and other masterpieces. All of them made Dalí a world-famous figure and helped shape his inimitable style. |
